Emerging from the burgeoning industrial music scene of the late 1970s, Scanners emerged as a groundbreaking force, fusing heavy metal riffs with electronic experimentation to create a distinct and uncompromising sound.
Members:
* Paul Lemos (vocals, guitar) * Kevin McMahon (guitar, keyboards) * Bruce Mee (bass) * Bill Rieflin (drums)
Discography:
* Bass Ackwards (1980) * Miniature (1981) * In the Belly of the Brazen Bull (1985) * The Redeemer (1986) * Wire (1987) * Burning in Water, Drowning in Flame (1989)
Challenges and Controversies:
Scanners' abrasive and confrontational music often stirred controversy. Their lyrics, which explored themes of alienation, violence, and social decay, drew both praise and condemnation. The band's graphic live performances, featuring blood and animal carcasses, further solidified their reputation as provocateurs.
Signature Song: "Lowlife"
"Lowlife," released on their sophomore album "Miniature," became an anthem for the disaffected and disenfranchised. The song's haunting melody, grinding guitars, and nihilistic lyrics resonated with a generation that felt marginalized and alienated.
Legacy:
Despite their short-lived commercial success, Scanners left an indelible mark on the industrial music genre. Their experimental approach and willingness to push boundaries inspired countless musicians and bands that followed. Today, they are regarded as pioneers who helped define the sound and aesthetics of industrial rock.
Trivia:
* Scanners' name was inspired by David Cronenberg's 1981 film of the same name. * The band's iconic logo, a stylized "S" with a lightning bolt, was designed by renowned artist H.R. Giger. * Scanners' early performances often featured a live sheep or goat on stage, which the band would eventually sacrifice as part of their ritualistic set.