Pernilongos
Pernilongos: The Resonant Legends of 11 - 3. 4. 0
In the vibrant tapestry of Brazilian music, the band Pernilongos stands out as a vibrant and controversial force, forever etched in the annals of history for their iconic song "11 - 3. 4. 0."
Formation and Early Success
Pernilongos emerged in the late 1960s in the vibrant city of Rio de Janeiro. The band's core members included Walter Wanderley (piano), Luiz Melodia (vocals and guitar), and Raul de Souza (percussion). Their innovative blend of samba, jazz, and psychedelic rock quickly captivated audiences, propelling them to the forefront of Brazil's burgeoning counterculture scene.
The Controversial Hit "11 - 3. 4. 0."
In 1973, Pernilongos released their masterpiece "11 - 3. 4. 0." The song's enigmatic title, derived from the corresponding notes on a piano, became a cryptic mantra for a generation. Its lyrics, a haunting and evocative exploration of love and loss, resonated deeply with listeners.
However, "11 - 3. 4. 0." also sparked considerable controversy. Its unconventional form, experimental instrumentation, and subversive themes challenged the prevailing norms of Brazilian popular music. The song faced resistance from conservative critics and authorities, who accused it of being overly experimental and lacking commercial appeal.
Challenges and Internal Strife
Despite the success of "11 - 3. 4. 0.," Pernilongos faced numerous challenges. Internal conflicts within the band, exacerbated by drug and alcohol abuse, led to frequent lineup changes and a decline in their creative output. The band's popularity waned in the late 1970s, and they eventually disbanded in the early 1980s.
Rediscovery and Legacy
In subsequent years, Pernilongos' music gained a cult following, particularly among underground musicians and enthusiasts. The release of retrospective compilations in the 1990s and 2000s reignited interest in their work. Today, Pernilongos is widely recognized as one of the most influential and experimental bands in Brazilian music history.
Discography
* 1971: Pernilongos
* 1973: 11 - 3. 4. 0.
* 1975: Viveza
* 1977: Psicodelia ou Samba do Crioulo Doido
* 1979: Nação (with Gilberto Gil)
Members
* Walter Wanderley (piano)
* Luiz Melodia (vocals and guitar)
* Raul de Souza (percussion)
* Pedro Santos (bass)
* Zeca Assumpção (saxophone)
* Paulo Moura (clarinet)
* Marcos Valle (piano)
In the vibrant tapestry of Brazilian music, the band Pernilongos stands out as a vibrant and controversial force, forever etched in the annals of history for their iconic song "11 - 3. 4. 0."
Formation and Early Success
Pernilongos emerged in the late 1960s in the vibrant city of Rio de Janeiro. The band's core members included Walter Wanderley (piano), Luiz Melodia (vocals and guitar), and Raul de Souza (percussion). Their innovative blend of samba, jazz, and psychedelic rock quickly captivated audiences, propelling them to the forefront of Brazil's burgeoning counterculture scene.
The Controversial Hit "11 - 3. 4. 0."
In 1973, Pernilongos released their masterpiece "11 - 3. 4. 0." The song's enigmatic title, derived from the corresponding notes on a piano, became a cryptic mantra for a generation. Its lyrics, a haunting and evocative exploration of love and loss, resonated deeply with listeners.
However, "11 - 3. 4. 0." also sparked considerable controversy. Its unconventional form, experimental instrumentation, and subversive themes challenged the prevailing norms of Brazilian popular music. The song faced resistance from conservative critics and authorities, who accused it of being overly experimental and lacking commercial appeal.
Challenges and Internal Strife
Despite the success of "11 - 3. 4. 0.," Pernilongos faced numerous challenges. Internal conflicts within the band, exacerbated by drug and alcohol abuse, led to frequent lineup changes and a decline in their creative output. The band's popularity waned in the late 1970s, and they eventually disbanded in the early 1980s.
Rediscovery and Legacy
In subsequent years, Pernilongos' music gained a cult following, particularly among underground musicians and enthusiasts. The release of retrospective compilations in the 1990s and 2000s reignited interest in their work. Today, Pernilongos is widely recognized as one of the most influential and experimental bands in Brazilian music history.
Discography
* 1971: Pernilongos
* 1973: 11 - 3. 4. 0.
* 1975: Viveza
* 1977: Psicodelia ou Samba do Crioulo Doido
* 1979: Nação (with Gilberto Gil)
Members
* Walter Wanderley (piano)
* Luiz Melodia (vocals and guitar)
* Raul de Souza (percussion)
* Pedro Santos (bass)
* Zeca Assumpção (saxophone)
* Paulo Moura (clarinet)
* Marcos Valle (piano)