Natalino Cândido da Silva
Natalino Cândido da Silva: The Voice of Brazilian Pride and Provocateur
Natalino Cândido da Silva, fondly known as Natalino, emerged as a prominent figure in Brazilian music during the 1930s and 1940s. His unmistakable voice and controversial lyrics propelled him to fame, making him an icon among the working-class population.
Early Life and Career:
Born in 1906 in the humble neighborhood of Gamboa, Rio de Janeiro, Natalino's musical roots trace back to his childhood performances in street festivals. As a teenager, he joined the carnival band Deixa Falar, gaining recognition for his vocal abilities.
In 1930, Natalino recorded his first song, "Brasil, Brasil," which became an instant hit. His subsequent recordings celebrated Brazilian culture and traditions, while also expressing the struggles and aspirations of the working class.
Rise to Stardom:
Natalino's popularity soared in 1938 with the release of the song "Pro Brasileiro, Alemão É Sopa." The song's lyrics, which poked fun at the perceived superiority of German immigrants, sparked controversy and ignited a sense of Brazilian nationalism.
Despite criticism from some sectors, Natalino's song resonated with a vast audience, solidifying his position as a voice of the people. He became a regular performer at political rallies and labor union events, his music serving as a rallying cry for the oppressed.
Challenges and Controversies:
Natalino's outspoken nature and provocative lyrics often drew the ire of government officials. He faced censorship and imprisonment during the Vargas dictatorship, his music deemed subversive and threatening to the established order.
Undeterred, Natalino continued to use his voice to criticize social injustice and corruption. His performances were often met with both admiration and hostility, but he remained a symbol of resistance and a fearless defender of the common man.
Discography:
Natalino's prolific career spanned over three decades, during which he recorded numerous songs that became Brazilian classics. Some of his most notable recordings include:
* "Brasil, Brasil" (1930)
* "Pro Brasileiro, Alemão É Sopa" (1938)
* "Zé Povinho" (1939)
* "Samba do Crioulo Doido" (1941)
* "Casaca de Couro" (1943)
Members:
Natalino performed primarily as a solo artist, but he occasionally collaborated with other musicians, including the following:
* Francisco Alves
* Mário Reis
* Noel Rosa
* Dorival Caymmi
Legacy:
Natalino Cândido da Silva passed away in 1989, leaving an enduring legacy as one of the most influential and controversial figures in Brazilian music history. His songs continue to resonate with generations of listeners, serving as a reminder of the power of music to challenge authority, celebrate identity, and inspire social change.
Natalino Cândido da Silva, fondly known as Natalino, emerged as a prominent figure in Brazilian music during the 1930s and 1940s. His unmistakable voice and controversial lyrics propelled him to fame, making him an icon among the working-class population.
Early Life and Career:
Born in 1906 in the humble neighborhood of Gamboa, Rio de Janeiro, Natalino's musical roots trace back to his childhood performances in street festivals. As a teenager, he joined the carnival band Deixa Falar, gaining recognition for his vocal abilities.
In 1930, Natalino recorded his first song, "Brasil, Brasil," which became an instant hit. His subsequent recordings celebrated Brazilian culture and traditions, while also expressing the struggles and aspirations of the working class.
Rise to Stardom:
Natalino's popularity soared in 1938 with the release of the song "Pro Brasileiro, Alemão É Sopa." The song's lyrics, which poked fun at the perceived superiority of German immigrants, sparked controversy and ignited a sense of Brazilian nationalism.
Despite criticism from some sectors, Natalino's song resonated with a vast audience, solidifying his position as a voice of the people. He became a regular performer at political rallies and labor union events, his music serving as a rallying cry for the oppressed.
Challenges and Controversies:
Natalino's outspoken nature and provocative lyrics often drew the ire of government officials. He faced censorship and imprisonment during the Vargas dictatorship, his music deemed subversive and threatening to the established order.
Undeterred, Natalino continued to use his voice to criticize social injustice and corruption. His performances were often met with both admiration and hostility, but he remained a symbol of resistance and a fearless defender of the common man.
Discography:
Natalino's prolific career spanned over three decades, during which he recorded numerous songs that became Brazilian classics. Some of his most notable recordings include:
* "Brasil, Brasil" (1930)
* "Pro Brasileiro, Alemão É Sopa" (1938)
* "Zé Povinho" (1939)
* "Samba do Crioulo Doido" (1941)
* "Casaca de Couro" (1943)
Members:
Natalino performed primarily as a solo artist, but he occasionally collaborated with other musicians, including the following:
* Francisco Alves
* Mário Reis
* Noel Rosa
* Dorival Caymmi
Legacy:
Natalino Cândido da Silva passed away in 1989, leaving an enduring legacy as one of the most influential and controversial figures in Brazilian music history. His songs continue to resonate with generations of listeners, serving as a reminder of the power of music to challenge authority, celebrate identity, and inspire social change.