My Vitriol My Vitriol

My Vitriol: A Journey of Infantile Provocations and Artistic Excellence

My Vitriol, the experimental rock band from Birmingham, England, emerged in the late 1990s with a raw and confrontational sound that garnered both acclaim and controversy.

Formation and Early Challenges

Formed in 1997, My Vitriol consisted of vocalist and guitarist Som Wardner, bassist Karl Demata, and drummer Ravi Kesavaram. The band's early music was characterized by its abrasive noise, discordant harmonies, and Wardner's visceral vocals.

However, their journey was not without its setbacks. Demata left the band in 1999, shortly before the release of their debut album, "Finelines." This departure forced Wardner and Kesavaram to recruit a new bassist, Gav Richards, and rework the album's arrangements.

Infantile: A Controversial Masterpiece

Released in 2001, "Finelines" included the track "Infantile," a song that became synonymous with My Vitriol's uncompromising stance. The lyrics, which explored themes of childhood trauma and mental illness, were met with a polarizing reaction. Some critics praised the song's raw honesty, while others condemned its graphic and disturbing imagery.

Despite the controversy, "Infantile" showcased Wardner's songwriting prowess. His ability to craft emotionally charged lyrics that delved into the darkest recesses of the human psyche set My Vitriol apart from their contemporaries.

Discography and Members

My Vitriol released a total of three studio albums:

* "Finelines" (2001)
* "Caught in the Headlights" (2003)
* "Invisible Lines" (2005)

Over the course of their career, the band's lineup experienced several changes. After the departure of Demata, Gav Richards joined as bassist, followed by Jamie Keddie and then Adam Neve. In addition to Kesavaram and Wardner, other drummers who played with My Vitriol included Andrew Woodhead and Ben Griffiths.

Controversies and Artistic Integrity

My Vitriol's music was not immune to controversy. The band's aggressive sound and Wardner's confrontational lyrics often drew criticism from mainstream listeners. However, the band remained steadfast in their commitment to artistic integrity.

They refused to compromise their vision to appease critics or achieve commercial success. This unwavering resolve earned them a loyal following among fans who appreciated their uncompromising and challenging music.

Legacy and Influence

My Vitriol disbanded in 2005, leaving behind a legacy of innovative and provocative music. Their influence can be heard in countless experimental and post-rock bands that emerged in their wake.

Som Wardner continued his musical career with the bands Machines in Heaven and Zolof the Rock & Roll Destroyer. Ravi Kesavaram went on to play drums for the post-rock band The Verve.

Despite their brief existence, My Vitriol's music remains a testament to the power of uncompromising artistry and the enduring legacy of provocative and challenging music.