In the annals of experimental music, the band Cows stands as a towering enigma, defying categorization and leaving an indelible mark on the alternative music scene.
Origins and Challenges
Formed in Minneapolis in 1989, Cows emerged from the city's vibrant underground scene. Led by the enigmatic figure of vocalist Shannon Selberg, the band consisted of a rotating cast of musicians who shared an unwavering commitment to pushing musical boundaries. Their challenging and abrasive sound, drawing influences from noise rock, jazz, and punk, initially met with resistance from mainstream audiences.
Controversy and Acclaim
Despite the initial backlash, Cows gained a cult following for their uncompromising artistry. Their performances were notorious for their confrontational nature, often incorporating elements of theater and performance art. Their song "3-Way Lisa," a graphic and disturbing ode to a sexual fantasy, became a flashpoint for controversy, generating both outrage and fascination.
Discography and Legacy
Over their two-decade career, Cows released a series of groundbreaking albums that showcased their eclecticism and relentless pursuit of innovation. Notable releases include "Daddy Has a Tail" (1990), "Effete and Impotent" (1993), and "Sorry in Advance" (1997). Their music has been described as "aural chaos" and "a symphony of dissonance," but it has also been praised for its originality and artistic integrity.
Members and Collaborations
Throughout their existence, Cows featured a fluid lineup of musicians, with Selberg as the only constant member. Notable collaborators included bassist Scott Reeder of Kyuss and Melvins fame, drummer Chris Reifert of Death, and guitarist Kevin Rutmanis of The Cowslips. Their collaborations further expanded their sonic palette and cemented their status as one of the most experimental bands of their era.
Dissolution and Legacy
Cows disbanded in 2008, leaving behind a legacy that continues to inspire and provoke. Their music remains a testament to their unwavering commitment to artistic freedom and their willingness to challenge the boundaries of acceptability. Their influence can be heard in the work of bands such as The Melvins, Fantomas, and Swans, solidifying their place as pioneers of extreme and avant-garde music.